The Power of Point of View

Tag: disciples

S.B.L. Book Review Session on “Perspective Criticism” (part 7): Response to Yamasaki’s Response

by STEVE BLACK   I am beginning to think that I am not sure that I find Yamasaki’s concept of “point of view character” to be useful. I prefer simply to think of “point of view” rather than “point of view character.” In essence, point of view is the point of entry that the narrator gives to… Read More ›

Another word on Mark 6:47-52. . .with a focus on “Focalization”

by STEVE BLACK   I wish to consider Mark 6:47-52, in the light of some of the conversation on this blog concerning it. I should note that my interest at this point is not so much the staging of this passage in a live presentation as it is a narratological analysis. Focus has been made in… Read More ›

Unmixing Our Metaphors, Media, and Methods: A Response to Phil Ruge-Jones

by LEON SEAMAN   Gary Yamasaki’s work on point-of-view dynamics is rooted in literary criticism, but draws on the analogy of camera angle in film to illustrate these dynamics. When I read his first book, Watching a Biblical Narrative, its title suggested the interaction between reading text and watching film or live performance. Yet it might… Read More ›

Another Take on the Crafting of a Performance of Mark 6:47-52 – PHIL RUGE-JONES

I’ve been invited to chime in out of my own performance experience. I do think that the audience is supposed to empathize with the disciples in order to see themselves in the complex responses of the disciples and think about their own responses. They have been tossed about by storms; they have been haunted as… Read More ›

Further Comment on Mark 6:49-52 – ROBERT TANNEHILL

I agree with Gary Yamasaki (Responding to How Seaman Would Craft a Performance of Mark 6:49-52) that it is a mistake to present the disciples in Mark 6:49-52 from an external (“objective”) perspective, because, as he pointed out, there is a cluster of inside views of the disciples in this passage. Furthermore, this passage shows clearly… Read More ›

Responding to How Seaman Would Craft a Performance of Mark 6:49-52 – GARY YAMASAKI

Over the past month, Leon Seaman has contributed two posts addressing ways in which attention to point-of-view dynamics impacts his performance of Mark. The earlier one–Perspective in Live Performance: To Embody or Not to Embody?–focuses on how he embodies certain characters–that is, mimics their speech and gestures–and does not embody others, and he includes descriptions… Read More ›

Helping an Audience to Get the Point (of View) in Performance – LEON SEAMAN

In my last post, Perspective in Live Performance: to Embody or Not to Embody, I briefly told how perspective criticism helped me block Mark’s baptism and transfiguration scenes for performance. A simple “s/he/they saw” may be a clue to whose viewpoint is to be embodied or not. Of course, point of view dynamics are rarely… Read More ›