by PHIL RUGE-JONES I’ve been invited to chime in out of my own performance experience. I do think that the audience is supposed to empathize with the disciples in order to see themselves in the complex responses of the disciples and think about their own responses. They have been tossed about by storms; they have… Read More ›
by GARY YAMASAKI Over the past month, Leon Seaman has contributed two posts addressing ways in which attention to point-of-view dynamics impacts his performance of Mark. The earlier one–Perspective in Live Performance: To Embody or Not to Embody?–focuses on how he embodies certain characters–that is, mimics their speech and gestures–and does not embody others, and… Read More ›
by LEON SEAMAN In my last post, Perspective in Live Performance: to Embody or Not to Embody, I briefly told how perspective criticism helped me block Mark’s baptism and transfiguration scenes for performance. A simple “s/he/they saw” may be a clue to whose viewpoint is to be embodied or not. Of course, point of view… Read More ›
by LEON SEAMAN The post entitled How might ‘Live Performances’ of Biblical Passages be influenced by Awareness of Point-of-View Dynamics? raises an intriguing question, and one that could (and should) be addressed at length. I’ll offer just a couple of brief observations from my own experience in performing Mark. First, the observation that not every… Read More ›
How might “Live Performances” of Biblical Passages be influenced by Awareness of Point-of-View Dynamics?
by GARY YAMASAKI I have been a fan of live performances of biblical passages for a long time. My first such experience was about 25 years ago, and it was not actually a live performance, but rather, a video-recording of a live performance: David Rhoads as storyteller for the whole Gospel of Mark. As I… Read More ›