The Power of Point of View

Tag: ruge-jones

Blocking Mark 6.47-52 for Live Solo Performance: A Response to Yamasaki and Tannehill

by LEON SEAMAN   In my first two posts, I noted all-too-briefly how Gary Yamasaki’s work on point-of-view planes influenced my own work of Markan performance. I attended to some aspects, but not to others, of certain scenes, and my inattention has drawn critique from Yamasaki, joined by Robert Tannehill. To address their concerns let me… Read More ›