The Power of Point of View

Tag: voice

Moving conversation with Tannehill to “Micro-View” of Ideological Plane (part 5)

by GARY YAMASAKI   In response to my question “through whose perspective an audience is being led to experience the action,” Robert Tannehill responded that it is the “ideological perspective of the implied author. . .the perspective of the work as a whole as a complex of interacting parts, dynamically arranged.” And while what he says… Read More ›

YouTube clips from “Star Wars” and “The Gods Must Be Crazy” to help unpack Phraseological Plane of Point of View

by GARY YAMASAKI   The phraseological plane of point of view is definitely the least significant of the six–it being the least utilized–but it has got to be the most fascinating for its ability to influence in a most unassuming fashion through whose point of view an audience experiences an event. Unfortunately, this plane’s transition… Read More ›

Responding to How Seaman Would Craft a Performance of Mark 6:49-52

by GARY YAMASAKI   Over the past month, Leon Seaman has contributed two posts addressing ways in which attention to point-of-view dynamics impacts his performance of Mark. The earlier one–Perspective in Live Performance: To Embody or Not to Embody?–focuses on how he embodies certain characters–that is, mimics their speech and gestures–and does not embody others, and… Read More ›