The Power of Point of View

Tag: tannehill

Moving conversation with Tannehill to “Micro-View” of Ideological Plane (part 5)

by GARY YAMASAKI   In response to my question “through whose perspective an audience is being led to experience the action,” Robert Tannehill responded that it is the “ideological perspective of the implied author. . .the perspective of the work as a whole as a complex of interacting parts, dynamically arranged.” And while what he says… Read More ›

Rejoinder to Tannehill’s post on Ideological (or Evaluative) Plane of Point of View (part 3)

by GARY YAMASAKI   In this post, Robert Tannehill provides some helpful correctives to the portrait of ideological point of view presented in my earlier post. However, there are also some portions of his post against which I would like to provide some push-back. Tannehill is surely right when he asserts that “all the other planes contribute… Read More ›

Another word on Mark 6:47-52. . .with a focus on “Focalization”

by STEVE BLACK   I wish to consider Mark 6:47-52, in the light of some of the conversation on this blog concerning it. I should note that my interest at this point is not so much the staging of this passage in a live presentation as it is a narratological analysis. Focus has been made in… Read More ›

Unmixing Our Metaphors, Media, and Methods: A Response to Phil Ruge-Jones

by LEON SEAMAN   Gary Yamasaki’s work on point-of-view dynamics is rooted in literary criticism, but draws on the analogy of camera angle in film to illustrate these dynamics. When I read his first book, Watching a Biblical Narrative, its title suggested the interaction between reading text and watching film or live performance. Yet it might… Read More ›

(quarter)YEAR in REVIEW. . .and a look ahead to a New Year of Perspective Criticism

by GARY YAMASAKI   This blog was launched three months ago, and from the beginning, it has been intended as a site for the collective development of biblical scholarship. Specifically, it exists as a venue for dialogue on the interpretive significance of the point-of-view crafting in biblical narratives. So, week after week, ideas on this topic… Read More ›

Another Take on the Crafting of a Performance of Mark 6:47-52 – PHIL RUGE-JONES

I’ve been invited to chime in out of my own performance experience. I do think that the audience is supposed to empathize with the disciples in order to see themselves in the complex responses of the disciples and think about their own responses. They have been tossed about by storms; they have been haunted as… Read More ›